The Dream Teller Studios
A family legacy. A cinematic vision. Two generations of people who believe love deserves to be seen beautifully.
"Every family in India has a box of photographs somewhere. We wanted to change what was inside it."
It started in 1987 in New Delhi, when Rajeev Sehgal founded Lovers Films — not as a business, but as a belief. A belief that Indian weddings deserved to be captured with the same care and artistry as the moments themselves.
Over the next three decades, Lovers Films grew into one of Delhi's most trusted names in wedding photography. More than 3,500 weddings. Families returning for their children's ceremonies. A reputation built entirely on delivery, warmth, and a sharp eye for what matters.
The Dream Teller Studios was born from that foundation — but with a new ambition. To bring a cinematic, global, luxury standard to the work that Lovers Films had spent 35 years perfecting.
The operational heart of everything we do. Mahir has spent over a decade leading Lovers Films — personally directing weddings, managing teams of photographers and cinematographers, and building a reputation for flawless delivery that clients across India swear by.
On the ground, Mahir is the one who reads a room — who knows when to be invisible, when to step in, and how to make 500 guests feel like the camera was never there.
Raised inside the Lovers Films world, Moksh grew up understanding weddings from the inside. His formal study of digital and content marketing at York University, Canada, combined with a lifelong obsession with cinema, gave him a distinct creative language.
Moksh leads the aesthetic direction of every Dream Teller project — the visual grammar, the colour story, the narrative architecture of each film. He doesn't just capture your wedding; he finds the film inside it.
We take on very few weddings each year — deliberately. Full presence, full attention, and work that exceeds every expectation. We never double-book. We never send a team where one of us isn't on the ground for what matters most.
The best frames aren't staged. They happen in the two seconds before a pose is called, or after the ceremony ends and everyone exhales. We watch for those. We wait for them.
We hold our wedding films to the same standards as the films we love. Composition, colour, sound, narrative arc — every decision is intentional. Your wedding film should move someone who wasn't even there.
One house built the craft. The other pushed it further. Together, they form the most complete wedding storytelling collective in India.
One family. One story. Two ways of telling it.
